THE GIRL WHO PLAYED WITH FIRE

To say this movie resembles a made-for-TV thriller would be an insult to the quality of TV drama in the past decade. Also to the verb “thrill.”

Visually this film is lazy, and dramatically it is never suspenseful nor exciting. At least the first film in this trilogy, directed by Niels Arden Oplev, unspooled a moderately interesting mystery punctuated by some dramatic sequences of investigating, especially one of homemade cinematic detective work. Not to mention that it featured actual relationships between characters that developed over the course of the film! Daniel Afredson’s sequel contains no such elements.

The fact that Alfredson has also directed the third film does not bode well for the conclusion of this series. At least this time, the decision to remake the trilogy in English can credibly claim artistic integrity, and with David Fincher in charge, there’s no doubt it will be the superior product.

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